Friday, August 7, 2009

Vermeer alert

At the Met:

Vermeer's Masterpiece: The Milkmaid
September 10, 2009–November 29, 2009

On the occasion of the 400th anniversary of Henry Hudson’s historic voyage to Manhattan from Amsterdam, that city’s Rijksmuseum will send The Milkmaid, perhaps the most admired painting by the Dutch artist Johannes Vermeer (1632–1675) to the Metropolitan Museum. To celebrate this extraordinary loan, the Metropolitan Museum will present Vermeer’s Masterpiece The Milkmaid, a special exhibition that will bring together all five paintings by Vermeer from its collection, along with a select group of works by other Delft artists, placing Vermeer’s superb picture in its historical context. Along with The Milkmaid, important works will be on view by Pieter de Hooch, Gabriël Metsu, Nicolaes Maes, Emanuel de Witte, Hendrick van Vliet, and Hendrick Sorgh, all masters who, like Vermeer, were active during the remarkable period of exploration, trade, and artistic flowering that occurred during the Dutch Golden Age in the seventeenth century. Vermeer’s Masterpiece The Milkmaid will mark the first time that the painting has traveled to the United States since it was exhibited at the 1939 World’s Fair 70 years ago.

I know everybody's going back to college before September 10, but look: this exhibit doesn't close until the Monday after Thanksgiving, so mark your calendars. Maybe I can drag Mike and anyone else who's interested on the Friday or Saturday after Thanksgiving, that's 11/27 or 11/28, so mark your calendars...

1 comment:

  1. Moviejourney field trip! I'm in!

    I was able to watch Touch of Evil last night (art school libraries are awesome!). This was the edition most like Welles' first cut before the studio chopped it up.
    One thing that blew me away was the camera work. The first shot moves from the car down the busy street and on up until the car explodes without any cut. The film was shot with such smooth movement that it doesn't inhibit the story-telling whatsoever.
    What makes this Welles' artistic gift to film? (...I have yet to see Citizen Kane. Shame, shame, shame!)

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